{"id":39,"date":"2025-04-27T11:21:21","date_gmt":"2025-04-27T18:21:21","guid":{"rendered":"https:\/\/ac.nau.edu\/artcrime\/?page_id=39"},"modified":"2025-04-30T12:41:42","modified_gmt":"2025-04-30T19:41:42","slug":"proposed-fakes-and-forgeries","status":"publish","type":"page","link":"https:\/\/ac.nau.edu\/artcrime\/proposed-fakes-and-forgeries\/","title":{"rendered":"Proposed Fakes and Forgeries"},"content":{"rendered":"\n
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Explore the fakes and forgeries that the MST 460 students hypothetically proposed during the Spring 2025 semester.<\/p>\n\n\n\n

Fakes are \u201cwork[s] of art, antique[s], or collectible[s] that [have] been tampered with for the purposes of fraud\u201d (Charney 34, 2016).<\/p>\n\n\n\n

Forgeries are \u201cobject(s) made in fraudulent imitation of an existing item or the creation of an artwork that presumes to be something other than what it actually is\u201d (Charney 34, 2016).<\/p>\n\n\n\n

The forgery and fake projects range from sculptures to paintings to medieval tapestries to bottles of wine and more. Each student created a unique take on their crime, which is reflected in their creative and enticing posts below.<\/p>\n\n\n\n

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Scientific analysis of a painting at the Fine Arts Conservatory.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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Fakes and Forgeries<\/h2>\n\n\n\n
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Fake It ‘Til You Frame It: Forging Berthe Morisot<\/a><\/p>\n<\/div><\/div>\n\n\n\n

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A Lover’s Ode to Vincent<\/a><\/p>\n<\/div><\/div>\n\n\n\n

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The Voynich Manuscript has Not Been Solved<\/a><\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

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A Wine Seller’s Guide to Fraud<\/a><\/p>\n<\/div><\/div>\n\n\n\n

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The Masque of Aubade: Love, Loss, and the Perfect Lie<\/a><\/p>\n<\/div><\/div>\n\n\n\n

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Smashing! Creating Coin Fakes Through Antiquated Numismatics<\/a><\/p>\n<\/div><\/div>\n\n\n\n

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A Crime for all Seasons- how to forge a Mucha<\/a><\/p>\n<\/div><\/div>\n\n\n\n

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Lost Umberto Boccioni sculpture found!<\/a><\/p>\n<\/div><\/div>\n\n\n\n

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Creating an Artemis<\/a><\/p>\n<\/div><\/div>\n\n\n\n

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A Stitch by Stitch Guide to Forging a Medieval Tapestry<\/a><\/p>\n<\/div><\/div>\n\n\n\n

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Inside the Mind of a Master Forger<\/a><\/p>\n<\/div><\/div>\n\n\n\n

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The Missing is Forged<\/a><\/p>\n<\/div><\/div>\n\n\n\n

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Forging Antiquity<\/a><\/p>\n<\/div><\/div>\n\n\n\n

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\u201cDumb Soup Cans:” Warhol and NFT Art Market<\/a><\/p>\n<\/div><\/div>\n\n\n\n

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Forged in Fiber (and Ink)<\/a><\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

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Next Page<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Explore the fakes and forgeries that the MST 460 students hypothetically proposed during the Spring 2025 semester. Fakes are \u201cwork[s] of art, antique[s], or collectible[s] that [have] been tampered with for the purposes of fraud\u201d (Charney 34, 2016). Forgeries are \u201cobject(s) made in fraudulent imitation of an existing item or the creation of an artwork […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-39","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ac.nau.edu\/artcrime\/wp-json\/wp\/v2\/pages\/39","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ac.nau.edu\/artcrime\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ac.nau.edu\/artcrime\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ac.nau.edu\/artcrime\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/ac.nau.edu\/artcrime\/wp-json\/wp\/v2\/comments?post=39"}],"version-history":[{"count":21,"href":"https:\/\/ac.nau.edu\/artcrime\/wp-json\/wp\/v2\/pages\/39\/revisions"}],"predecessor-version":[{"id":1302,"href":"https:\/\/ac.nau.edu\/artcrime\/wp-json\/wp\/v2\/pages\/39\/revisions\/1302"}],"wp:attachment":[{"href":"https:\/\/ac.nau.edu\/artcrime\/wp-json\/wp\/v2\/media?parent=39"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}