{"id":116,"date":"2025-04-27T21:35:31","date_gmt":"2025-04-28T04:35:31","guid":{"rendered":"https:\/\/ac.nau.edu\/artcrime\/?p=116"},"modified":"2025-05-03T09:06:09","modified_gmt":"2025-05-03T16:06:09","slug":"roosevelt-is-rolling-in-his-grave","status":"publish","type":"post","link":"https:\/\/ac.nau.edu\/artcrime\/2025\/04\/27\/roosevelt-is-rolling-in-his-grave\/","title":{"rendered":"Roosevelt is Rolling in His Grave"},"content":{"rendered":"\n<figure class=\"wp-block-image alignwide size-large wp-duotone-unset-1\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"455\" src=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Smithsonian-Magazine-3-1024x455.png\" alt=\"Decorative image. A newspaper headline reads as follows. &quot;Theodore Roosevelt's Presidential Portrait Returned.&quot; Subtitle reads as follows. &quot;Forensic Evidence Reveals Thief's Identity.&quot; The image caption reads as follows. &quot;An anonymous note denotes theft as politically motivated.&quot; Body text reads as follows. &quot;Police responded to calls made by employees clocking in at the Smithsonian National Portrait Gallery early on the morning of April 6 after they discovered an unmarked, brown paper package near the building entrance. For fear that the package might contain an explosive, employees made emergency calls to the Smithsonian Office of Protection Services (OPS) and refrained from entering the building. OPS and local law enforcement facilitated a full evacuation of the museum and surrounding buildings to conduct an assessment of the package\u2019s contents. A further investigation revealed that the package contained the missing presidential portrait of Theodore Roosevelt, which was torn from its frame a year prior.&quot; \" class=\"wp-image-506\" srcset=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Smithsonian-Magazine-3-1024x455.png 1024w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Smithsonian-Magazine-3-300x133.png 300w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Smithsonian-Magazine-3-768x341.png 768w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Smithsonian-Magazine-3.png 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<pre class=\"wp-block-preformatted\" style=\"border-style:none;border-width:0px;border-radius:0px;margin-top:var(--wp--preset--spacing--10);margin-right:0;margin-bottom:var(--wp--preset--spacing--10);margin-left:0;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">Last month, the Smithsonian National Portrait Gallery received Theodore Roosevelt's presidential portrait in an inconspicuous brown package placed at the employee entrance. As I had hoped, the package caused quite a stir in the Washington D.C. area. and later, throughout the world as headlines hit the news outlets. <br>Unfortunately for me, this mass media attention came at the cost of my freedom. If it had not been for my carelessness in leaving traces of my fingerprints on the package's brown paper wrapping, the FBI and Smithsonian Office of Protection Services might still be looking for me.<\/pre>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:120%\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-columns has-small-font-size is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"842\" height=\"1024\" src=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Untitled-design-842x1024.png\" alt=\"Decorative Image. Theodore Roosevelt's presidential portrait, painted by the artist Adrian Lamb in 1967.\" class=\"wp-image-1331\" srcset=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Untitled-design-842x1024.png 842w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Untitled-design-247x300.png 247w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Untitled-design-768x934.png 768w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Untitled-design-1263x1536.png 1263w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Untitled-design.png 1728w\" sizes=\"auto, (max-width: 842px) 100vw, 842px\" \/><figcaption class=\"wp-element-caption\">FIGURE 1. <a href=\"https:\/\/npg.si.edu\/learn\/access-programs\/verbal-description-tours\/theodore-roosevelt\">Adrian Lamb (1901-1988), after Philip Alexius de L\u00e1szl\u00f3 (1869-1937). 1967, after 1908 original. <em>Theodore Roosevelt<\/em>. 4.3 ft x 3.3 ft. Oil on canvas. Smithsonian National Portrait Gallery, Washington D.C. Accession Number NPG.68.28.<\/a><\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<pre class=\"wp-block-preformatted has-medium-font-size\">The word is out and there is undeniable evidence against me, so I must confess. I stole Theodore Roosevelt\u2019s presidential portrait from the Smithsonian National Portrait Gallery in Washington, D.C. last spring (FIGURE 1). This was my protest against President Donald Trump\u2019s executive orders threatening the accessibility, beauty, and health of the United States\u2019 federal lands. Roosevelt is rolling in his grave as the current administration disregards the spirit of Roosevelt\u2019s presidency, an era in which the nation\u2019s leadership valued mindful environmental conservation practices. <br>In completing this theft, Roosevelt became my hostage. A series of anonymous notes that I sent to the National Portrait Gallery communicated my demands for the current administration to rescind new drilling plans, and if my demands went ignored, I promised that I would destroy the painting. Did I really think that my heist would be effective enough to convince the government to reconsider these actions? No, I did not. I did hope that my story would reach popular media, bringing these urgent environmental issues to the top of every social media-user's algorithm. I hoped to grab your attention and convince you all why this is a worthwhile cause, because our voices combined may eventually be enough to effect change. Now that I have your attention, I hope you will understand my motivation...<br><\/pre>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"50\" src=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/treesdivider3.png\" alt=\"Decorative image used to separate blocks of text. Three pine trees stand in a row.\" class=\"wp-image-520\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading alignwide has-text-align-center has-text-color has-background has-link-color has-x-large-font-size wp-elements-26754e90ebb2a7051bc1026b8258defe\" style=\"border-width:4px;border-radius:0px;color:#764b36;background-color:#efe7dd\">Our Public Lands are Under Attack<\/h2>\n\n\n\n<pre class=\"wp-block-preformatted has-medium-font-size\">In favor of economic benefit, the current administration\u2019s intensive resource extraction plans infringe upon the health and safety of the ecosystems, human communities, and wildlife of the United States\u2019 public lands. <\/pre>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"962\" src=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Federal-Pre-ANILCA_v2_web.jpg\" alt=\"Illustrative image. A map of Alaska showing conservation units that existed prior to ANILCA and the protected lands expanded by ANILCA.\" class=\"wp-image-530\" srcset=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Federal-Pre-ANILCA_v2_web.jpg 1000w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Federal-Pre-ANILCA_v2_web-300x289.jpg 300w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Federal-Pre-ANILCA_v2_web-768x739.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">FIGURE 2. <a href=\"https:\/\/www.nps.gov\/articles\/000\/aps-21-1-1-htm.htm.\">Egan Cornachione and Paula Pletnikoff. Map showing conservation units that existed prior to ANILCA (in hatched polygons) and the protected lands expanded by ANILCA (solid colors). Alaska Region National Park Service<\/a>.<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<pre class=\"wp-block-preformatted\">In President Donald Trump's recent executive order of January 20, 2025, he stated plans to expand drilling operations on American public lands previously protected by \u201cburdensome and ideologically motivated regulations.\" He claims that these regulations have hindered the nation\u2019s use of untapped resources, limited job availability, and drastically increased energy costs in recent years.<br>The Secretary of the Interior, Doug Bergum, addressing a more recent executive order, stated that the administration will exploit energy sources in the coastal plain of the Arctic National Wildlife Refuge (ANWR).<br>Congress established ANWR in 1980, which protected over 100 million acres of Alaskan lands, including the 20 million acres of ANWR, to protect migratory and resident wildlife species, wilderness and recreation areas, and the ancestral lands of the I\u00f1upiat and Gwich'in Indigenous people. These actions warrant outrage from the nation\u2019s affected populations, environmentalists, and humanitarians.<\/pre>\n<\/div>\n<\/div>\n\n\n\n<details class=\"wp-block-details alignwide has-base-color has-text-color has-background has-link-color has-heading-font-family has-large-font-size wp-elements-3e5990cc4361777da94a2cb6bc1ab510 is-layout-flow wp-block-details-is-layout-flow\" style=\"background-color:#0d102f\"><summary>Executive Order: Unleashing American Energy<\/summary>\n<p class=\"has-small-font-size\"><strong>Section 1. Background:<\/strong> &#8220;America is blessed with an abundance of energy and natural resources that have historically powered our Nation\u2019s economic prosperity. \u00a0In recent years, burdensome and ideologically motivated regulations have impeded the development of these resources, limited the generation of reliable and affordable electricity, reduced job creation, and inflicted high energy costs upon our citizens&#8230;&#8221; \u00a0&#8211; President Donald Trump, <a href=\"https:\/\/www.whitehouse.gov\/presidential-actions\/2025\/01\/unleashing-american-energy\/.\"><em>Unleashing American Energy<\/em>.<\/a><\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details alignwide has-base-color has-text-color has-background has-link-color has-heading-font-family has-large-font-size wp-elements-1fd53dd8b074f508a9aef9205f04ba34 is-layout-flow wp-block-details-is-layout-flow\" style=\"background-color:#0d102f\"><summary>Executive Order: Unleashing Alaska&#8217;s Extraordinary Resource Potential<\/summary>\n<p class=\"has-small-font-size\"><strong>Section 1. Background: <\/strong>&#8220;The State of Alaska holds an abundant and largely untapped supply of natural resources including, among others, energy, mineral, timber, and seafood. Unlocking this bounty of natural wealth will raise the prosperity of our citizens while helping to enhance our Nation\u2019s economic and national security for generations to come&#8230;&#8221; -President Donald Trump, <a href=\"https:\/\/www.whitehouse.gov\/presidential-actions\/2025\/01\/unleashing-alaskas-extraordinary-resource-potential\/\"><em>Unleashing Alaska&#8217;s Extraordinary Resource Potential<\/em><\/a>.<\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details alignwide is-style-default has-base-color has-text-color has-background has-link-color has-heading-font-family has-large-font-size wp-elements-ad92ac626478216c17bd949f2eeeb817 is-layout-flow wp-block-details-is-layout-flow\" style=\"background-color:#0d102f\"><summary>Secretary&#8217;s Order No. 3422: Unleashing Alaska&#8217;s Extraordinary Resource Potential<\/summary>\n<p class=\"has-small-font-size\"><strong>Sec. 3. Background.<\/strong> &#8220;President Trump declared that unlocking Alaska&#8217;s massive bounty of natural wealth (Alaska is larger than our smallest 22 States combined) will raise the prosperity of our citizens and help our Nation&#8217;s economic and national security for generations to come by,<br>among other policies:<br>a. fully availing itself of Alaska&#8217;s vast lands and resources for the benefit of the Nation and the American citizens who call Alaska home;<br>b. efficiently and effectively maximizing the development and production of the natural resources located on both Federal and State lands within Alaska;<br>c. expediting the permitting and leasing of energy and natural resource projects in Alaska (including specifically for the rights of way and easement for roads that enable this development to occur; and<br>d. prioritizing the development ofAlaska&#8217;s liquified natural gas (LNG) potential, including the sale and transportation ofAlaskan LNG to other regions ofthe United States and allied nations within the Pacific region.&#8221; &#8211; Doug Bergum, Secretary of the Interior, <a href=\"https:\/\/www.doi.gov\/sites\/default\/files\/document_secretarys_orders\/so-3422-signed.pdf\"><em>Secretary&#8217;s Order No. 3422: Unleashing Alaska&#8217;s Extraordinary Resource Potential<\/em><\/a>.<\/p>\n<\/details>\n\n\n\n<figure class=\"wp-block-embed alignwide is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Save the Arctic National Wildlife Refuge\" src=\"https:\/\/player.vimeo.com\/video\/247917667?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<details class=\"wp-block-details alignwide has-text-color has-background has-link-color has-heading-font-family has-large-font-size wp-elements-5a6450ecf3d846d7f814dd4fbc39f83b is-layout-flow wp-block-details-is-layout-flow\" style=\"color:#434040;background-color:#efe7dd\"><summary>Alaska Conservation Foundation: &#8220;Save the Arctic National Wildlife Refuge,&#8221; Video Transcription<\/summary>\n<pre class=\"wp-block-preformatted\" style=\"font-size:0.8rem\"><strong>Narrator<\/strong>: The Arctic National Wildlife Refuge is America's largest and most wild natural environment, the cradle of life for millions of animals, including the vast, porcupine caribou herd, which migrates here every year to give birth to its young safe from human disturbance. Gwich\u2019in people call this \u201cthe sacred place,\u201d where life begins. <br><br><strong>Charlie Swaney:<\/strong> For the caribou, that\u2019s where life begins for them, where they take their first breath of fresh air, where they take their first bite to eat, first time seeing this world. That\u2019s where it\u2019s all at, right there. They continue to go there year after year after year because everything is right for them there. <br><br><strong>Narrator:<\/strong> The Gwich\u2019 in have relied on these migrating caribou for their very survival and cultural identity for thousands of years, and still do. <br><br><strong>Charlie Swaney<\/strong>: there\u2019s no way that we could live off of store-bought food year-round here, and that\u2019s why it\u2019s so important for what\u2019s out here, mainly with the caribou, and this is what we try to protect. <br><br><strong>Narrator:<\/strong> now, the survival of all these animals, the Gwich\u2019in way of life, and the arctic refuge itself, our nation\u2019s last, untouched sanctuary of nature are in grave and immediate danger, threatened by unnecessary oil and gas exploration and industrial development in the heart of this sacred place. We need to stand against oil exploitation, and stand for nature and the human right when they need us most. That time has come. Please join us to preserve the refuge while we still can now and for generations to come. <br><br><strong>Bernadette Demientieff: <\/strong>We made a pact that we would always take care of them if they always took care of us. Now it\u2019s our turn, and we will not back down, and we are not going to make it easy, because this is our home. We were here and we are not going anywhere. You know, this is our home, this is who we are, and you can\u2019t take that from us. <\/pre>\n<\/details>\n\n\n\n<pre class=\"wp-block-preformatted\">The current administration will exploit the United States\u2019 public lands. Each order, effective immediately, rescinds pre-existing environmental protections and shares a common goal of benefiting the nation\u2019s economy by lowering energy costs. This objective largely overlooks the value of ceremonial lands, ecological health, recreation, and wildlife populations.These actions warrant outrage from the nation\u2019s affected populations, environmentalists, and humanitarians. The United States\u2019 public lands are under immediate threat due to this administration\u2019s orders, making the call for change especially urgent. <\/pre>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"50\" src=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/treesdivider3.png\" alt=\"Decorative image used to separate blocks of text. Three pine trees stand in a row.\" class=\"wp-image-520\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading alignwide has-text-align-center has-text-color has-background has-link-color has-x-large-font-size wp-elements-0a30dfefc1d177ac5cf111b4868a0494\" style=\"border-width:4px;color:#764b36;background-color:#efe7dd\">Why Roosevelt?<\/h2>\n\n\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"394\" height=\"525\" data-id=\"769\" src=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/TeddyRoosevelt-6-edited.png\" alt=\"Decorative image. Theodore Roosevelt and John Muir pose at the edge of the Glacier Point cliff in Yosemite Valley.\" class=\"wp-image-769\" srcset=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/TeddyRoosevelt-6-edited.png 394w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/TeddyRoosevelt-6-edited-225x300.png 225w\" sizes=\"auto, (max-width: 394px) 100vw, 394px\" \/><figcaption class=\"wp-element-caption\">FIGURE 3. <a href=\"https:\/\/www.loc.gov\/resource\/ppmsca.36413\/\">Underwood &amp; Underwood. [Theodore Roosevelt and John Muir on Glacier Point, Yosemite Valley, California, in 1903]. 1903. Photographic Print. Library of Congress.<\/a><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"705\" height=\"1024\" data-id=\"764\" src=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/teddyroosevelt3-705x1024.webp\" alt=\"Decorative image. A young Theodore Roosevelt poses, sitting with his hunting rifle and wearing leather hunting gear.\" class=\"wp-image-764\" srcset=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/teddyroosevelt3-705x1024.webp 705w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/teddyroosevelt3-207x300.webp 207w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/teddyroosevelt3-768x1115.webp 768w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/teddyroosevelt3-1058x1536.webp 1058w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/teddyroosevelt3-1410x2048.webp 1410w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/teddyroosevelt3.webp 1656w\" sizes=\"auto, (max-width: 705px) 100vw, 705px\" \/><figcaption class=\"wp-element-caption\">FIGURE 4. <a href=\"https:\/\/www.loc.gov\/item\/2009633128\/\">George Grantham. Theodore Roosevelt in 1885. 1885. Photographic Print. Library of Congress.<\/a><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"348\" height=\"464\" data-id=\"1198\" src=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/teddyroosevelt5-edited.png\" alt=\"Decorative image. Theodore Roosevelt is standing on a table outdoors and making a speech to men seated around him with his right hand raised.\" class=\"wp-image-1198\" srcset=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/teddyroosevelt5-edited.png 348w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/teddyroosevelt5-edited-225x300.png 225w\" sizes=\"auto, (max-width: 348px) 100vw, 348px\" \/><figcaption class=\"wp-element-caption\">FIGURE 5. <a href=\"https:\/\/www.loc.gov\/resource\/cph.3b42016\/\">[Theodore Roosevelt standing on table outdoors and making speech to men seated around him, right hand raised] \/ Smith Art Photography, Freeport, Ill. 1885-1919. Photographic print. Library of Congress.&nbsp;<\/a><\/figcaption><\/figure>\n<\/figure>\n\n\n\n<pre class=\"wp-block-preformatted\">I stole Roosevelt\u2019s presidential portrait to protest the current administration\u2019s plans to exploit lands that Roosevelt strove to protect.<br><br>Each presidential portrait in the Smithsonian National Portrait Gallery bears cultural significance associated with the individual and their impact on American history.<br>According to a curator at the institution, a presidential portrait \u201cencapsulates\u201d the sitter's personality and values, as well as American history respective to their tenure. As such, Roosevelt\u2019s presidential portrait represents previous strides toward environmental conservation and mindful resource use in this nation\u2019s history.<br><\/pre>\n\n\n\n<figure class=\"wp-block-image alignwide size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"455\" height=\"1024\" src=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Theodore-Roosevelt-Public-Lands-Infographic-455x1024.png\" alt=\"This infographic is titled Theodore Roosevelt and Public Lands. A quote from Theodore Roosevelt's address to the Society of American Foresters in 1903 reads as follows. &quot;Your attention must be directed to the preservation of the forests, not as an end itself, but as a means of preserving the prosperity of the nation.&quot; Taking interest in ornithology and taxidermy as a child, he dreamed of owning a natural history museum filled wih his speciin collections. As a young adult, he often made independent trips to the backcountry to delight in the nation's natural beauty.  Roosevelt's legacy has solidified in the American conscience as the &quot;Conservation President&quot; for his progressive philosophies on environmental conservation and numerous public land designations. During his presidency from 1901 to 1909, Roosevelt designated five national parks, including Crater Lake in Oregon, Wind Cave in South Dakota, Sully's Hill in North Dakota, Mesa Verde in Colorado, and Platt in Oklahoma. In 1905, Roosevelt established the present-day United States Forest Service to develop a system of planned, long-term resource use so that future generations of Americans may continue to have access to the nation's resources. He designated 150 national forests during his presidency. Roosevelt's Antiquities Act of 1906 allowed the president to designate historic landmarks as National Monuments. By 1907, he designated Devil's Tower National Monument in Wyoming, El Morro National Monument in New Mexico, Montezuma's Castle National Monument in Arizona, and Petrified Forest National Monument in Arizona. Roosevelt established 18 national monuments during his presidency. Lastly, he envisioned designated wilderness areas to protect and restore endangered animal species. In 1903, he established the first national wildlife refuge on Pelican Island, Florida, to protect endangered marine birds. Roosevelt designated 51 wildlife refuges during his presidency. He designated a total of roughly 230 million acres of public land during his tenure.  \" class=\"wp-image-358\" srcset=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Theodore-Roosevelt-Public-Lands-Infographic-455x1024.png 455w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Theodore-Roosevelt-Public-Lands-Infographic-133x300.png 133w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Theodore-Roosevelt-Public-Lands-Infographic-768x1728.png 768w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Theodore-Roosevelt-Public-Lands-Infographic-683x1536.png 683w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Theodore-Roosevelt-Public-Lands-Infographic.png 889w\" sizes=\"auto, (max-width: 455px) 100vw, 455px\" \/><\/figure>\n\n\n\n<pre class=\"wp-block-preformatted\">The Hungarian artist, Philip Alexius de L\u00e1szl\u00f3 (1869-1937), painted Roosevelt\u2019s original presidential portrait (see FIGURE 1)in 1908 as a commission from Roosevelt\u2019s close friend, Lord Arthur Lee (1868-1947). In 1938, Lee gifted L\u00e1szl\u00f3\u2019s portrait of Roosevelt to the American Museum of Natural History in New York, where the museum currently stores the object in its archives. As a commission from the Theodore Roosevelt Association (TRA), the American artist Adrian Lamb (1901-1988) painted the portrait\u2019s reproduction using oil on canvas<em> <\/em>in 1967. The National Portrait Gallery later received Lamb\u2019s reproduction as a gift from TRA. <br>Lamb\u2019s 1967 portrait of Roosevelt was on display in the National Portrait Gallery\u2019s permanent exhibit, \u201cAmerica\u2019s Presidents,\u201d with the accession number NPG.68.28, and is now likely undergoing intense and highly precise restoration procedures considering that I cut the painting away from its frame and rolled it up to remove from the gallery during my heist.<\/pre>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"50\" src=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/treesdivider3.png\" alt=\"Decorative image used to separate blocks of text. Three pine trees stand in a row.\" class=\"wp-image-520\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading alignwide has-text-align-center has-text-color has-background has-link-color has-x-large-font-size wp-elements-09157ddeb195ae8927fba095ab505fd5\" style=\"border-width:4px;color:#764b36;background-color:#efe7dd\">Inspiration<\/h2>\n\n\n\n<pre class=\"wp-block-preformatted\">Two notable cases inspired this form of protest, including art heists associated with the Irish Republican Army (IRA) in 1974 and the contemporary art installation <em>Dead Man\u2019s Switch <\/em>by Andrei Molodkin. Both cases used artworks as \u201chostages,\u201d threatening their destruction if politically-motivated requests were not met. This practice uses an institution\u2019s value for cultural property as leverage for a specific outcome.<\/pre>\n\n\n\n<h2 class=\"wp-block-heading alignwide has-text-align-center has-x-large-font-size\">The IRA Heists<\/h2>\n\n\n\n<pre class=\"wp-block-preformatted\">In February of 1974, a Vermeer painting, <em>The Guitar Player,<\/em> was stolen from the Kenwood House in London. Following the painting\u2019s disappearance, the London news publisher, <em>The Times,<\/em> received an anonymous letter demanding the freedom of Irish Republican Army (IRA) members, Dolours and Marian Price, from the Brixton prison (Keefe 156). The unnamed thief promised the painting\u2019s return if these expectations were met. <\/pre>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"750\" src=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Dugdale.jpg\" alt=\"Decorative image. Portrait of a young woman named Rose Dugdale with her left arm raised and her hand in a fist in an expression of power and resistance.\" class=\"wp-image-782\" srcset=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Dugdale.jpg 1000w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Dugdale-300x225.jpg 300w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Dugdale-768x576.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">FIGURE 6. Rose Dugdale. <a href=\"https:\/\/www.gettyimages.co.uk\/detail\/news-photo\/dr-bridget-dugdale-who-is-being-sought-by-police-on-news-photo\/830537956?adppopup=true\">PA Images via Getty Images<\/a>.<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<pre class=\"wp-block-preformatted\">In a second art heist associated with the Price sisters\u2019 release from prison, IRA member Rose Dugdale forcibly entered the private Russborough House in Ireland with three other IRA members. They stole 19 paintings, a Vel\u00e1zquez, a Vermeer, a Rubens, a Goya, and a Metsu among them. A week later, the thieves produced a ransom note demanding the Price sisters' freedom or else they would destroy the masterpieces.<br><br>Both cases are examples of politically motivated art heists in which thieves demanded a specific outcome rather than a monetary ransom. I emulated this process by producing an anonymous ransom letter, demanding that the Trump administration rescind plans to expand drilling and logging on public lands for the return of Roosevelt\u2019s presidential portrait.<br><\/pre>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading alignwide has-text-align-center has-x-large-font-size\">Andrei Molodkin&#8217;s <em>Dead Man&#8217;s Switch<\/em><\/h2>\n\n\n\n<pre class=\"wp-block-preformatted\">The Russian artist Andrei Molodkin acquired 16 artworks of notable artists, including Picasso, Rembrandt, and Warhol, and locked them inside a safe equipped with a \u201cself-destruct\u201d button. Molodkin stated that he would destroy the masterpieces if the WikiLeaks founder Julian Assange was extradited to the U.S. and died in custody. <br>Like Molodkin\u2019s threat to destroy his hostage artworks, I stated my intentions to torch Roosevelt\u2019s portrait if the government ignored the public\u2019s outrage at the exploitation of American public lands. In addition, I used the public's value for cultural heritage as leverage to reach an end.<br><\/pre>\n\n\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-3 is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"791\" src=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Deadmanswitch3-1024x576.jpg\" alt=\"Decorative image. Molodkin's sketches for the Dead Man's Switch project.\" class=\"wp-image-791\" srcset=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Deadmanswitch3-1024x576.jpg 1024w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Deadmanswitch3-300x169.jpg 300w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Deadmanswitch3-768x432.jpg 768w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Deadmanswitch3-1536x864.jpg 1536w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Deadmanswitch3.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">FIGURE 7. <a href=\"https:\/\/news.sky.com\/story\/acid-to-destroy-masterpieces-by-picasso-rembrandt-and-warhol-if-julian-assange-dies-in-prison-artist-claims-13070078\">Molodkin&#8217;s sketches for the Dead Man&#8217;s Switch project. Pic: Andrei Molodkin\/The Foundry Studio.<\/a><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" data-id=\"790\" src=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Molodkin-1024x1024.webp\" alt=\"Decorative image. Portrait of Andrei Molodkin.\" class=\"wp-image-790\" srcset=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Molodkin-1024x1024.webp 1024w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Molodkin-300x300.webp 300w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Molodkin-150x150.webp 150w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Molodkin-768x768.webp 768w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Molodkin-1536x1536.webp 1536w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Molodkin-2048x2048.webp 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">FIGURE 8. <a href=\"https:\/\/www.newyorker.com\/culture\/persons-of-interest\/the-artist-holding-valuable-art-hostage-to-protect-julian-assange\">A portrait of Andrei Molodkin at his workshop in Maubourguet, France.Photograph by Markel Redondo \/ REA \/ Redux.<\/a><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"614\" data-id=\"789\" src=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/deadmanswitch-1024x614.png\" alt=\"Decorative image. Crates full of masterpieces stored inside Molodkin's self-destructing safe. The pneumatic pump and two barrels that would destroy the contents of the safe are positioned in between the crates.\" class=\"wp-image-789\" srcset=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/deadmanswitch-1024x614.png 1024w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/deadmanswitch-300x180.png 300w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/deadmanswitch-768x461.png 768w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/deadmanswitch-1536x922.png 1536w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/deadmanswitch.png 1900w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">FIGURE 9. <a href=\"https:\/\/www.theguardian.com\/media\/2024\/feb\/13\/im-not-trying-to-destroy-art-says-man-planning-to-do-just-that-if-assange-dies-in-jail\">Andrei Molodkin\u2019s \u2018Dead Man\u2019s Switch\u2019 is a pneumatic pump connecting two barrels that could cause a chemical reaction strong enough to destroy the 16 artworks.&nbsp;Photograph: The Foundry Studio.<\/a><\/figcaption><\/figure>\n<\/figure>\n\n\n\n<pre class=\"wp-block-preformatted\">Similar to the IRA art heists, the government ignored my demands. I will admit that I was tempted to sell the portrait on the illicit market, but I reconsidered. According to the economists Antonio Nicita and Matteo Rizzolli, a famous stolen painting is less likely to sell on the black market because potential buyers are typically not willing to assume the risk of getting caught with the object. <\/pre>\n\n\n\n<pre class=\"wp-block-preformatted\">Drawing inspiration from the first art heist associated with the IRA, I chose to return the painting to the National Portrait Gallery anonymously. This is because I was not satisfied with the publicity of my demonstration. As. I hoped, the painting's return brought more publicity to my case and thus stirred more interest in my demonstration.<\/pre>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"50\" src=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/treesdivider3.png\" alt=\"Decorative image used to separate text. Three pine trees stand in a row.\" class=\"wp-image-520\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading alignwide has-text-align-center has-text-color has-background has-link-color has-x-large-font-size wp-elements-5f58a5a78a4a595e737bb8d930071589\" style=\"border-width:4px;color:#764b36;background-color:#efe7dd\">Methods<\/h2>\n\n\n\n<pre class=\"wp-block-preformatted\">Are you feeling inspired by my story now? Perhaps you will be the next art thief motivated by a political agenda. Maybe you will still Albert Bierstadt's <em>Among the Sierra Nevada, California<\/em> or Thomas Moran's <em>The Grand Canyon of the Yellowstone<\/em> to demonstrate the value that the U.S. government once placed on the nation's wilderness areas. I have to warn you not to be too confident now, as the Smithsonian Institution has already dealt with my case and \u2014 as the host of the National Conference on Cultural Property Protection \u2014 is most certainly taking measures to prevent future heists and warn other institutions against the threat of politically-motivated art thieves. If you must follow in my footsteps, read ahead to learn my methods and what the Smithsonian Institution has dealt with.<\/pre>\n\n\n\n<figure class=\"wp-block-gallery alignfull has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"614\" data-id=\"812\" src=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Bierstadt-1024x614.jpg\" alt=\"Decorative image. Albert Bierstadt's landscape painting, &quot;Among the Sierra Nevada, California.&quot;\" class=\"wp-image-812\" srcset=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Bierstadt-1024x614.jpg 1024w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Bierstadt-300x180.jpg 300w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Bierstadt-768x461.jpg 768w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Bierstadt-1536x921.jpg 1536w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Bierstadt.jpg 1999w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">FIGURE 10. <a href=\"https:\/\/americanart.si.edu\/artwork\/among-sierra-nevada-california-2059\">Albert Bierstadt,&nbsp;<em>Among the Sierra Nevada, California<\/em>, 1868, oil on canvas, Smithsonian American Art Museum.<\/a><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"584\" data-id=\"814\" src=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Moran-1024x584.jpg\" alt=\"Decorative Image. Thomas Moran's landscape painting, &quot;The Grand Canyon of the Yellowstone.&quot;\" class=\"wp-image-814\" srcset=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Moran-1024x584.jpg 1024w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Moran-300x171.jpg 300w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Moran-768x438.jpg 768w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Moran-1536x876.jpg 1536w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Moran.jpg 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">FIGURE 11. <a href=\"https:\/\/americanart.si.edu\/artwork\/grand-canyon-yellowstone-17831\">Thomas Moran,&nbsp;<em>The Grand Canyon of the Yellowstone<\/em>, 1893-1901, oil on canvas. Smithsonian American Art Museum.<\/a><\/figcaption><\/figure>\n<\/figure>\n\n\n\n<div class=\"wp-block-columns alignwide are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:35%\">\n<figure class=\"wp-block-image aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"449\" height=\"449\" src=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/OPS.png\" alt=\"Decorative image. Smithsonian Office of Protection Services Logo.\" class=\"wp-image-817\" srcset=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/OPS.png 449w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/OPS-300x300.png 300w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/OPS-150x150.png 150w\" sizes=\"auto, (max-width: 449px) 100vw, 449px\" \/><figcaption class=\"wp-element-caption\">FIGURE 12. <a href=\"https:\/\/security.si.edu\/\">Smithsonian Institution. Office of Protection Services Logo.<\/a><\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:65%\">\n<pre class=\"wp-block-preformatted\">The Smithsonian National Portrait Gallery utilizes its Office of Protection Services (OPS) unit to protect cultural property across each of the institution\u2019s museums in Washington D.C., including the National Portrait Gallery. OPS employs over 850 law enforcement officers and security personnel to promote a safe environment for the Smithsonian Institution\u2019s visitors and employees, as well as to protect the institution\u2019s vast collection of objects. An OPS web page describing the roles of OPS guards suggests that security personnel monitor Smithsonian museums at all hours and oversee each facility\u2019s alarm system. The Smithsonian National Portrait Gallery\u2019s alarm system and OPS security personnel were the primary obstacles to overcome in my heist.&nbsp;<br><br>Museum employees with exclusive access to the institution\u2019s collections and security system have conducted the majority of art thefts in recent years. Knowing this, I frequented the Smithsonian museums in Washington D.C. for several months and made my acquaintances with numerous OPS guards to find a trusted employee with access to the National Portrait Gallery\u2019s alarm and surveillance system well in advance of this heist. I targeted an individual who agreed with my political motivations and was willing to be an accomplice for this heist. My accomplice, after facilitating my entrance into the building, granted me access to the central alarm and surveillance system to disable their devices.<br><\/pre>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<pre class=\"wp-block-preformatted\">To prevent unnecessary suspicion and to remove the painting from the gallery, I have drawn inspiration from the Isabella Stewart Gardner museum heist. Two individuals disguised as police officers entered the Gardner Museum after 1:00 AM, tied up the museum security guards in the basement, and proceeded to commandeer numerous artworks throughout the galleries, even cutting several paintings away from their frames. Like these thieves, I conducted my heist during closing hours and disguised myself as a Security Operations Division guard associated with OPS. With my disguise, I aimed to prevent other security guards on the scene from becoming suspicious of my presence in the building before commandeering the painting.<\/pre>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-image aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"460\" height=\"345\" src=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/OPS2.jpg\" alt=\"Decorative image. Smithsonian Office of Protection Services Security Guard seated at a surveillance system desk.\" class=\"wp-image-831\" srcset=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/OPS2.jpg 460w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/OPS2-300x225.jpg 300w\" sizes=\"auto, (max-width: 460px) 100vw, 460px\" \/><figcaption class=\"wp-element-caption\">FIGURE 13. <a href=\"https:\/\/security.si.edu\/work-us\">Smithsonian Office of Protection Services Security Guard seated at a surveillance center.<\/a><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image alignwide size-full\"><a href=\"https:\/\/npg.si.edu\/sites\/default\/files\/saam-npg_floors_map_rev_12.17.24.pdf.\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"506\" src=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Screen-Shot-2025-04-14-at-6.55.19-PM.png\" alt=\"Illustrative image. Map of the second floor of the Smithsonian American Art Museum.\" class=\"wp-image-829\" srcset=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Screen-Shot-2025-04-14-at-6.55.19-PM.png 819w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Screen-Shot-2025-04-14-at-6.55.19-PM-300x185.png 300w, https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/Screen-Shot-2025-04-14-at-6.55.19-PM-768x474.png 768w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><\/a><figcaption class=\"wp-element-caption\">FIGURE 14. <a href=\"https:\/\/npg.si.edu\/sites\/default\/files\/saam-npg_floors_map_rev_12.17.24.pdf.\">Smithsonian American Art Museum. National Portrait Gallery Floors Map. <\/a><\/figcaption><\/figure>\n\n\n\n<pre class=\"wp-block-preformatted\">With the security and and surveillance systems disabled, my accomplice distracted other security guards on site by alerting them to the \"malfunctioning\" security system. I proceeded to the \"America's President's\" exhibit on the second floor of the National Portrait gallery, cut Roosevelt\u2019s portrait away from its frame using a scalpel, and rolled the canvas into a tight scroll. After hiding the painting in my pants pocket, I made a quick escape down the stairwell to the left of the \u201cAmerica\u2019s Presidents\u201d exhibit entrance and exited the building on \u201cF Street\u201d from the nearest emergency exit. From there, I met my getaway driver, who whisked me away without being seen. <\/pre>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"50\" src=\"https:\/\/ac.nau.edu\/artcrime\/wp-content\/uploads\/2025\/04\/treesdivider3.png\" alt=\"\" class=\"wp-image-520\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading alignwide has-text-align-center has-x-large-font-size\">A Call to Action<\/h2>\n\n\n\n<pre class=\"wp-block-preformatted\">Take caution when recruiting an accomplice. When the Smithsonian Institution discovered the painting had gone missing, my accomplice attempted to expose me for fear that he might become discovered as an accessory to the heist. <br>I was initially fortunate that he had no evidence to prove his claims. That is, until forensic investigators found my fingerprints on the brown paper that I had packaged the painting in for its return.<br>Being locked in a prison cell now, I am calling upon the nation's affected populations, environmentalists, and humanitarians to continue fighting for our public lands. Roosevelt is still rolling in his grave, and it is now up to you to allow him to rest.<br> <\/pre>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center has-text-color has-link-color has-x-large-font-size wp-elements-d46c2f69c3c79ee95403b26ca659833a\" style=\"color:#764b36\">Bibliography<\/h2>\n\n\n\n<p>Agama, Susana P. <em>The Art of Art Theft Retrieval<\/em>. 2016. ProQuest Dissertations &amp; Theses.<\/p>\n\n\n\n<p>American Museum of Natural History. \u201cCollection: Theodore Roosevelt (1858-1919) \/ UR \u2018P.A. Laszlo\/Washington\u2019 | Archives Catalog | AMNH,\u201d 2016. <a href=\"https:\/\/data.library.amnh.org\/archives\/repositories\/3\/resources\/7972\">https:\/\/data.library.amnh.org\/archives\/repositories\/3\/resources\/7972<\/a>.<\/p>\n\n\n\n<p>Barber, James. <em>Theodore Roosevelt, Icon of the American Century<\/em>. Smithsonian Institution, 1998.<\/p>\n\n\n\n<p>Bergum, Doug. \u201cSecretary\u2019s Order #3422: Unleashing Alaska\u2019s Extraordinary Resource Potential.\u201d The Secretary of the Interior, February 3, 2025. <a href=\"https:\/\/www.doi.gov\/sites\/default\/files\/document_secretarys_orders\/so-3422-signed.pdf\">https:\/\/www.doi.gov\/sites\/default\/files\/document_secretarys_orders\/so-3422-signed.pdf<\/a>.<\/p>\n\n\n\n<p>Conference Of Governors, and United States President. Proceedings of a Conference of Governors. Washington: Government Printing Office, 1908. Periodical. Retrieved from the Library of Congress, &lt;<a href=\"http:\/\/www.loc.gov\/item\/sf82007077\/\">www.loc.gov\/item\/sf82007077\/<\/a>&gt;.<\/p>\n\n\n\n<p>Isabella Stewart Gardner Museum. \u201cThe Theft: What Is Known about the Isabella Stewart Gardner Heist\u2014the Single Largest Property Theft in the World,\u201d n.d. <a href=\"https:\/\/www.gardnermuseum.org\/about\/theft-story\">https:\/\/www.gardnermuseum.org\/about\/theft-story<\/a>.<\/p>\n\n\n\n<p>Keefe, Patrick Radden. <em>Say Nothing: A True Story of Murder and Memory in Northern Ireland<\/em>. First Anchor Books edition, Anchor Books, a division of Penguin Random House LLC, 2019.<\/p>\n\n\n\n<p>Keller, Steven R. \u201cThe Quandaries of Museum Security.\u201d <em>The Journal of Museum Education<\/em>, vol. 20, no. 1, 1995, pp. 10\u201311. <em>JSTOR<\/em>, <a href=\"http:\/\/www.jstor.org\/stable\/40479484\">http:\/\/www.jstor.org\/stable\/40479484<\/a>. Accessed 14 Apr. 2025.<\/p>\n\n\n\n<p>Lawson-Tancred, Jo. \u201c$45 Million Worth of Art Is Being Held Hostage for Julian Assange\u2019s Life | Artnet News.\u201d Artnet News, February 14, 2024. <a href=\"https:\/\/news.artnet.com\/art-world\/julian-assange-andrei-molodkin-2433258\">https:\/\/news.artnet.com\/art-world\/julian-assange-andrei-molodkin-2433258<\/a>.<\/p>\n\n\n\n<p>LAYNE, STEVAN P. \u201cClosing the Barn Door: Dealing with Security Issues.\u201d <em>History News<\/em>, vol. 57, no. 4, 2002, pp. 1\u20136. <em>JSTOR<\/em>, <a href=\"http:\/\/www.jstor.org\/stable\/42653878\">http:\/\/www.jstor.org\/stable\/42653878<\/a>. Accessed 15 Apr. 2025.<\/p>\n\n\n\n<p>Lunde, Darrin. \u201cBeauty and Tragedy in the Wilderness: The Naturalism of Theodore Roosevelt.\u201d <em>Theodore Roosevelt, Naturalist in the Arena<\/em>. Edited by Char Miller and Clay S. Jenkinson. University of Nebraska Press, 2020. EBSCOhost.<\/p>\n\n\n\n<p>Miller, Char. \u201cPlay, Work, and Politics: The Remarkable Partnership of Theodore Roosevelt and Gifford Pinchot.\u201d <em>Theodore Roosevelt, Naturalist in the Arena<\/em>. Edited by Char Miller and Clay S. Jenkinson. University of Nebraska Press, 2020. EBSCOhost.<\/p>\n\n\n\n<p>National Park Service. \u201cTheodore Roosevelt and the National Park System &#8211; Theodore Roosevelt Birthplace National Historic Site (U.S. National Park Service).\u201d National Parks Service. United States Department of the Interior, 2016. <a href=\"https:\/\/www.nps.gov\/thrb\/learn\/historyculture\/trandthenpsystem.htm\">https:\/\/www.nps.gov\/thrb\/learn\/historyculture\/trandthenpsystem.htm<\/a>.<\/p>\n\n\n\n<p>Nicita, Antonio, and Matteo Rizzolli. \u201cThe Economics of Art Thefts: Too Much Screaming over Munch\u2019s The Scream?\u201d <em>Economic Papers (Economic Society of Australia)<\/em>, vol. 28, no. 4, 2009, pp. 291\u2013303, <a href=\"https:\/\/doi.org\/10.1111\/j.1759-3441.2010.00045.x\">https:\/\/doi.org\/10.1111\/j.1759-3441.2010.00045.x<\/a>.<\/p>\n\n\n\n<p>\u200b\u200bSmithsonian National Portrait Gallery. \u201cFact Sheet: America\u2019s Presidents.\u201d Smithsonian Institution, May 9, 2023. <a href=\"https:\/\/npg.si.edu\/about-us\/press-release\/americas-presidents\">https:\/\/npg.si.edu\/about-us\/press-release\/americas-presidents<\/a>.<\/p>\n\n\n\n<p>Smithsonian National Portrait Gallery. \u201cTheodore Roosevelt.\u201d Smithsonian Institution, September 13, 2019. <a href=\"https:\/\/npg.si.edu\/learn\/access-programs\/verbal-description-tours\/theodore-roosevelt\">https:\/\/npg.si.edu\/learn\/access-programs\/verbal-description-tours\/theodore-roosevelt<\/a>.<\/p>\n\n\n\n<p>Smithsonian Office of Protection Services. \u201cExplore the Offices.\u201d Smithsonian Institution, 2025. <a href=\"https:\/\/security.si.edu\/explore-offices\">https:\/\/security.si.edu\/explore-offices<\/a>.<\/p>\n\n\n\n<p>Smithsonian Office of Protection Services. \u201cOffice of Protection Services (OPS).\u201d Smithsonian Institution, 2018. <a href=\"https:\/\/security.si.edu\/\">https:\/\/security.si.edu\/<\/a>.<\/p>\n\n\n\n<p>United States. 96th Congress. \u201cPublic Law 96-487: Alaska National Interest Lands Conservation Act.\u201d 94 Stat. 2371. December 2, 1980. <a href=\"https:\/\/www.nps.gov\/locations\/alaska\/upload\/ANILCA-Electronic-Version.PDF\">https:\/\/www.nps.gov\/locations\/alaska\/upload\/ANILCA-Electronic-Version.PDF<\/a>.<\/p>\n\n\n\n<p>The White House. \u201cUnleashing American Energy \u2013 the White House.\u201d The White House, January 21, 2025. <a href=\"https:\/\/www.whitehouse.gov\/presidential-actions\/2025\/01\/unleashing-american-energy\/\">https:\/\/www.whitehouse.gov\/presidential-actions\/2025\/01\/unleashing-american-energy\/<\/a>.<\/p>\n\n\n\n<p>Voss, Frederick, and National Portrait Gallery. <em>Portraits of the Presidents, the National Portrait Gallery<\/em>. National Portrait Gallery, Smithsonian Institution, 2000.Ward, David C. \u201c\u2018&#8230;For the People\u2019: The Presidential Portraits at the National Portrait Gallery.\u201d Smithsonian National Portrait Gallery. Smithsonian Institution, December 13, 2016. <a href=\"https:\/\/npg.si.edu\/blog\/people-presidential-portraits-national-portrait-gallery\">https:\/\/npg.si.edu\/blog\/people-presidential-portraits-national-portrait-gallery<\/a>.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Last month, the Smithsonian National Portrait Gallery received Theodore Roosevelt&#8217;s presidential portrait in an inconspicuous brown package placed at the employee entrance. As I had hoped, the package caused quite a stir in the Washington D.C. area. and later, throughout the world as headlines hit the news outlets. Unfortunately for me, this mass media attention [&hellip;]<\/p>\n","protected":false},"author":32,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[9],"class_list":["post-116","post","type-post","status-publish","format-standard","hentry","category-theft","tag-completed"],"_links":{"self":[{"href":"https:\/\/ac.nau.edu\/artcrime\/wp-json\/wp\/v2\/posts\/116","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ac.nau.edu\/artcrime\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ac.nau.edu\/artcrime\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ac.nau.edu\/artcrime\/wp-json\/wp\/v2\/users\/32"}],"replies":[{"embeddable":true,"href":"https:\/\/ac.nau.edu\/artcrime\/wp-json\/wp\/v2\/comments?post=116"}],"version-history":[{"count":96,"href":"https:\/\/ac.nau.edu\/artcrime\/wp-json\/wp\/v2\/posts\/116\/revisions"}],"predecessor-version":[{"id":1395,"href":"https:\/\/ac.nau.edu\/artcrime\/wp-json\/wp\/v2\/posts\/116\/revisions\/1395"}],"wp:attachment":[{"href":"https:\/\/ac.nau.edu\/artcrime\/wp-json\/wp\/v2\/media?parent=116"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ac.nau.edu\/artcrime\/wp-json\/wp\/v2\/categories?post=116"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ac.nau.edu\/artcrime\/wp-json\/wp\/v2\/tags?post=116"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}